Best Digital Cameras for Autofocus System (2024)

You're getting that excellent 60-megapixel resolution, very expansive dynamic range, and good noise performance.

The similarities to the 7r4 sensor unfortunately mean that we have some of the slowest readout speeds you'll find in a contemporary full-frame sensor.

I still had problems with dust on the sensor.

It delivers nearly identical image quality to the a7r IV.

These take either UHS-II SD cards or the faster but far more expensive CF Express Type A cards.

You can also record 4K video at up to 60 frames per second.

The 8K video has a 1.24 times crop, while 4K 60p has the same crop but also adds pixel binning.

It's held back by one thing: excessive rolling shutter.

It's truly outstanding, and I hope all future cameras from Sony will use this mechanism moving forward.

The grip has some hard edges and a material that's less cushy compared to Canon's R5.

The R7 has a 32-megapixel sensor.

Canon emphasized that the R7 features a new sensor.

When examining the high ISO raw files, you can see that they are not quite as clean as those from the absolute best BSI APS-C competition.

The dynamic range is quite good on this camera, enabling you to bring down highlights reasonably well.

Canon currently has only two APS-C RF lenses available for this.

The R7 offers versatility with lenses like the 18-150mm kit lens, which is suitable for both macro and sports photography.

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The R7 offers 4K 60p video with no crop and 4K 30p video that is oversampled for high detail.

The camera experiences rolling shutter issues in 4K fine mode, which can affect fast-moving subjects.

The micro HDMI port is less durable, and the 30-minute recording limit can be restrictive.

The R7 is made of a robust magnesium alloy and is strongly weather-sealed.

The camera has a slightly plasticky texture and doesn't feel as premium as that of some competitors.

The EVF resolution is lower than expected for its price, and some controls can be fiddly.

The photos are better than anything we're going to get today.

The Nikon Z8 offers excellent image quality with a 45.7-megapixel sensor, similar to the Z9.

An electronic-only shutter may result in more noise in shadows and slightly less dynamic range compared to cameras with mechanical shutters.

The Nikon Z Mount is the largest among any mirrorless cameras, allowing for the adaptation of other lenses, including Sony lenses.

There is a perception that third-party lens options for Nikon cameras are limited.

The Z8 supports 8K raw recording and ProRes 422 HQ internally, offering excellent video quality.

Overheating can occur during extended 8K or 4K 60 fps recording sessions.

The camera has a robust build with a large grip, making it comfortable to hold.

It lacks a flip-out display, which may not be ideal for vlogging or filming oneself.

The colors are fantastic, and the resolution is awesome.

It's a 30-megapixel sensor, which isn't the highest, but every one of those 30 megapixels is filled with tremendous and sharp quality.

It works very well in low-light conditions, as well as at higher ISO values.

Canon offers a large catalog of choices when it comes to its EF series of lenses, suitable for all occasions, scenarios, and budgets.

As creatives move away from EF mount cameras and purchase RF equipment, it's becoming increasingly likely that you can acquire older EF lenses, which still work incredibly well, at significantly reduced prices.

The 5D Mark 4 was expected to have a 4K filming option at 24 frames per second, but it was a major letdown to hear that it came with a crop factor of 1.74.

The 8-bit C-Log on the 5D Mark IV is quite mushy and doesn't always color grade as well as the newer R series.

Its build quality is spot-on after 2 years of traveling and running around.

The 5D Mark IV is a tank of a camera, but, man, is it heavy, weighing in at a mighty 890 grams without a lens.

The Z9, with its 45.7 megapixels, actually has impressive low-light capabilities thanks to the native ISO that ranges from 64 all the way to 25,600 ISO.

The Nikon Z9 is a fast-shooting camera, capable of 20 frames per second, whether you're shooting in lossless compressed or lossy compressed formats.

The image quality on the Z9 is excellent compared to the Sony A1. Again, I just feel like it's neck and neck compared to the Nikon Z7 II.

There are some rare situations where high-frequency LED lights and artificial lights might cause flicker.

Another exciting release from Nikon, coming out at the same time as the Z9, is a new lens I have here: the 100-400mm f/4.5-5.6 zoom lens.

It offers five and a half stops of vibration reduction.

It also offers inner balance technology to help maintain the center of gravity.

The Nikon Z9 can shoot 8K video at up to 30 frames per second.

It also has 4K 120fps video recording capability internally.

The Nikon Z9 can shoot 4K 10-bit ProRes internally.

The performance on it is excellent. Using Chris's laptop, we were able to edit 8.3K raw video at a playable frame rate.

The Z9 is the quintessential camera for professional sports photographers.

It has mission-critical build quality and so much more.

The Nikon Z9 is compatible with EN-EL18 series batteries, which are the same as those used in the D6.

The Z9 has an integrated vertical grip, which is perfect for vertical orientation.

The A74 performs even better than Sony's low-light champ, the A7S3.

Images are clean and usable in most low-light situations, right up to ISO 12800.

The 14-bit RAW images deliver up to 13 stops of dynamic range.

Rolling shutter is still an issue because we don't have a very fast scan speed on this sensor.

The A74 features a dual-slot card system that supports both SD UHS-II and the much faster CFexpress Type A cards.

The breathing compensation function introduces a slight digital zoom that counteracts any change in focal length when switching to a new subject.

CFexpress Type A cards are still only used in Sony cameras, making them relatively hard to find and quite expensive.

The A74 is Sony's most advanced camera yet, especially when it comes to autofocus.

The A74 can shoot downsampled 4K video at up to 30p, using the full width of the sensor.

The lack of noise at high ISO ranges is a significant advantage, making the camera usable in many more situations.

The rolling shutter can be quite severe in 30p mode when using the full width of the sensor.

The A74 has the same body, apart from a few differences. First off, it has the A1's nice big grip, so it's a delight to hold and use.

The rear touch display can fully articulate, rather than just tilt out, making it better for portrait shooting.

The A74 features a dual-slot card system that supports both SD UHS-II and the much faster CFexpress Type A cards.

The new 24-megapixel sensor is the most significant improvement in this camera, offering enhanced image quality, better low-light sensitivity, and a greater dynamic range than before.

JPEGs have good levels of detail without excessive sharpening. Color accuracy is good, and skin tones are more pleasing than those of any other cameras I've tried recently.

The R6 Mark II is actually better than the original model in low-light conditions, despite the extra pixels.

Canon does not permit third-party companies to manufacture lenses for the Canon RF mount.

I would actually recommend using the RF to EF adapter that Canon also makes and using Sigma lenses, which are disturbingly sharp.

The EOS R6 Mark II offers super-sampled full-frame 4K video at up to 60 frames per second.

Canon's dual pixel video autofocus is a strong point, especially with single point autofocus for run-and-gun shooting, interviews, and similar situations.

The grip is large, comfortable, and tacky, providing a secure hold with no discomfort even after hours of use.

The power switch is now on the right, allowing for easier access.

This camera uses the same 26-megapixel sensor that we saw in the FX30.

The oversampled 4K, from 24p up to 60p, reads at 16.1 ms.

It has also inherited a few terrific features from other recent Sony releases.

I also noticed a slight color shift as I moved through the ISO range.

This has so many lenses available, not only third-party options like Sigma and Tamron, but also because Sony has done a great job of fleshing out their own line of APS-C lenses.

At 120p, we lose nearly 2 stops on our medium score due to the significantly more prevalent noise.

The 4K120 also has an overheating problem.

This camera has the latest processor from Sony.

The camera supports 4K 60p, oversampled from 6K, 4K 120p, and features like S-Log3 and auto crop mode for video.

They added a third dial to the front of the camera.

It is dust and moisture resistant.

The grip is actually a little bit larger, and that's something I felt these always needed.

The camera has only one SD card slot and lacks a locking battery door.

This camera shares many of the same internals as the A7S III and FX3.

It is using the same sensor and processor.

The image comes straight out of this camera.

The Sony Ace 7s3 sensor has 12 megapixels, which might not be enough for serious photographers.

Sony is offering this camera as a kit with the 28-60mm lens.

I wish Sony would make a bundle with the 20 to 70 F4.

Currently, it only supports up to 4K at 60 frames per second.

This camera will perform quite well in an environment of 22°C or lower.

The new subject detection features extend well beyond just this new microphone and are among the most interesting aspects of this camera.

It is now limited to the total width of the sensor.

This is Sony's smallest full-frame camera to date.

Overall, the build quality certainly isn't as good as that of the FX3.

It doesn't have an EVF.

The G1 X Mark 3 has a 24.2-megapixel APS-C CMOS sensor.

The G1 X Mark 3 has the ATD sensor with a 24-megapixel APS-C.

We've proven this sensor to be excellent in low light with great dynamic range.

It has a built-in 24 to 72 millimeter equivalent lens that also incorporates dual-sensing optical image stabilization.

With this zoom, you know we're not talking about something like a Ricoh GR or a Nikon Coolpix; we've got an actual zoom here.

It can shoot video at up to 1080p and 60 frames per second.

It features a 3-inch fully articulating touchscreen.

This G1 X Mark 3 is so compact. I mean, I love the new body design and the new size.

The G1X Mark 3 has a very new body design, but it's not really a new design because other cameras already use it.

It is incredible that they were able to fit that APS-C sensor in here.