Best Digital Cameras for Video Features (2024)

The Hero2 Black nails it, offering rich dynamics and steadfast capture with a high resolution of 5.3K at 60 frames per second.

Though a slight grain was noticeable in low light, which action camera doesn't have that small hiccup?

Let's talk about low light footage. By and large, there's no meaningful difference between the Hero 12 and the Hero 11 when it comes to low light footage.

The max lens mod is designed to provide you with a much wider field of view, up to 177 degrees, compared to the existing 155-degree field of view.

The Max Lens Mod 2.0 is slimmer, two times more scratch-resistant, and provides an even wider field of view. However, this is an optional extra and will cost you around a hundred dollars.

HyperSmooth 6.0 is essentially their stabilization technology, and with it, they've made some changes to Auto Boost.

The Hero 12 Black does mirror its predecessor, the Hero 11 Black, in terms of dimensions, weight, those sleek dual displays, and that robust construction.

As a longtime camera enthusiast, I've come to appreciate the two built-in prong mounts. There's no fussing with external cases like with some of the other action cameras I've dabbled with.

The new 1-inch sensor should dramatically improve picture quality and enhance low-light capability.

The videos appear rich in detail without being over-sharpened.

The default photos look nice, but they're just not consistent throughout.

The fixed 20 mm equivalent lens has a relatively fast f/2.0 aperture.

The wide focal length means that it's not ideal for portraits or product shots.

Digital zoom is here, but I did not use it at all because I don't think it looks good.

The gimbal and autofocus do the rest to keep the subject in the frame.

Face tracking works approximately 90% of the time.

The autofocus on this is quite good; it locks onto my face about 90% of the time.

The Osmo Pocket 3 is a portable camera that is small enough to carry with you and maneuver in tight spaces.

The Creator combo includes a battery handle, a mini tripod, a 0.75x lens adapter, and a carry bag.

I wouldn't trust this in any kind of inclement weather, whether it is drizzle or rain.

The G9 II, at those lower ISOs, has better dynamic range, a better ability to push shadows, less color noise, and less noise in general.

Right away, the 100-megapixel image seems to have much more detail.

The Panasonic picture is more realistic and lifelike.

Micro Four Thirds is a completely open platform, and it's been around for a long, long time, so there are hundreds of different lenses available.

All of the Micro Four Thirds lenses are small because the lens mount is small.

The G9 II is technically the third camera to receive the new phase-detect hybrid autofocusing system.

Overall, subject detection works really well; it locks onto the subject and often even onto the bird's eye.

The body has been ruggedized, and now Panasonic says this is freeze-proof.

The grip is not the most comfortable, but it's fine.

The R7 has a 32-megapixel sensor.

Canon emphasized that the R7 features a new sensor.

When examining the high ISO raw files, you can see that they are not quite as clean as those from the absolute best BSI APS-C competition.

The dynamic range is quite good on this camera, enabling you to bring down highlights reasonably well.

Canon currently has only two APS-C RF lenses available for this.

The R7 offers versatility with lenses like the 18-150mm kit lens, which is suitable for both macro and sports photography.

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The R7's blinding Auto Vegas capabilities and its all-true Auto Vickers are always lightning fast, with very intelligent and customizable tracking options.

The R7 features advanced autofocus with eye, animal, and vehicle detection, similar to higher-end models like the R3.

The autofocus system may struggle with older EF lenses, resulting in inconsistent performance.

The R7 is made of a robust magnesium alloy and is strongly weather-sealed.

The camera has a slightly plasticky texture and doesn't feel as premium as that of some competitors.

The EVF resolution is lower than expected for its price, and some controls can be fiddly.

The photos are better than anything we're going to get today.

The Nikon Z8 offers excellent image quality with a 45.7-megapixel sensor, similar to the Z9.

An electronic-only shutter may result in more noise in shadows and slightly less dynamic range compared to cameras with mechanical shutters.

The Nikon Z Mount is the largest among any mirrorless cameras, allowing for the adaptation of other lenses, including Sony lenses.

There is a perception that third-party lens options for Nikon cameras are limited.

The autofocus system is significantly improved, featuring effective 3D tracking and human subject detection.

Autofocus can struggle in heavy snow conditions.

The camera has a robust build with a large grip, making it comfortable to hold.

It lacks a flip-out display, which may not be ideal for vlogging or filming oneself.

The Z9, with its 45.7 megapixels, actually has impressive low-light capabilities thanks to the native ISO that ranges from 64 all the way to 25,600 ISO.

The Nikon Z9 is a fast-shooting camera, capable of 20 frames per second, whether you're shooting in lossless compressed or lossy compressed formats.

The image quality on the Z9 is excellent compared to the Sony A1. Again, I just feel like it's neck and neck compared to the Nikon Z7 II.

There are some rare situations where high-frequency LED lights and artificial lights might cause flicker.

Another exciting release from Nikon, coming out at the same time as the Z9, is a new lens I have here: the 100-400mm f/4.5-5.6 zoom lens.

It offers five and a half stops of vibration reduction.

It also offers inner balance technology to help maintain the center of gravity.

The Z9 has a brand new, updated autofocus system with 493 focus points and 3D detection with subject tracking.

3D tracking with subject detection is spot-on; it really can't miss.

The Nikon Z9 has nine types of subject detection, including people, animals, and vehicles.

We've talked about how wonderful it is that 3D tracking is back on a Nikon body, and it works great.

The Z9 is the quintessential camera for professional sports photographers.

It has mission-critical build quality and so much more.

The Nikon Z9 is compatible with EN-EL18 series batteries, which are the same as those used in the D6.

The Z9 has an integrated vertical grip, which is perfect for vertical orientation.

The new 24-megapixel sensor is the most significant improvement in this camera, offering enhanced image quality, better low-light sensitivity, and a greater dynamic range than before.

JPEGs have good levels of detail without excessive sharpening. Color accuracy is good, and skin tones are more pleasing than those of any other cameras I've tried recently.

The R6 Mark II is actually better than the original model in low-light conditions, despite the extra pixels.

Canon does not permit third-party companies to manufacture lenses for the Canon RF mount.

I would actually recommend using the RF to EF adapter that Canon also makes and using Sigma lenses, which are disturbingly sharp.

The autofocus performed very effectively, especially in low light conditions.

The Canon R6 Mark II has a really powerful subject detection autofocus that works on people, animals, cars, airplanes, insects—pretty much anything you can throw at this camera.

The grip is large, comfortable, and tacky, providing a secure hold with no discomfort even after hours of use.

The power switch is now on the right, allowing for easier access.

This camera uses the same 26-megapixel sensor that we saw in the FX30.

The oversampled 4K, from 24p up to 60p, reads at 16.1 ms.

It has also inherited a few terrific features from other recent Sony releases.

I also noticed a slight color shift as I moved through the ISO range.

This has so many lenses available, not only third-party options like Sigma and Tamron, but also because Sony has done a great job of fleshing out their own line of APS-C lenses.

It has 759 autofocus points that cover almost the whole screen, approximately 95% or so.

The real-time tracking autofocus for photo and video is incredible, and I've tested it extensively.

This now makes use of the new AI-based algorithms for autofocus and subject detection that debuted on the Sony a7r5, and it is very effective.

We don't have an auto-focusing joystick.

They added a third dial to the front of the camera.

It is dust and moisture resistant.

The grip is actually a little bit larger, and that's something I felt these always needed.

The camera has only one SD card slot and lacks a locking battery door.

This camera shares many of the same internals as the A7S III and FX3.

It is using the same sensor and processor.

The image comes straight out of this camera.

The Sony Ace 7s3 sensor has 12 megapixels, which might not be enough for serious photographers.

Sony is offering this camera as a kit with the 28-60mm lens.

I wish Sony would make a bundle with the 20 to 70 F4.

The autofocus was incredible on the a7R V, and it's just as incredible here.

This has the same auto-focusing algorithms that we have in the advanced Sony a7R5.

This is Sony's smallest full-frame camera to date.

Overall, the build quality certainly isn't as good as that of the FX3.

It doesn't have an EVF.

This has 24 megapixels and supports 4K video at full width.

Panasonic looks clearly better, smoother, and cleaner, probably because it's using 44% more sensor space than the Sony does with its crop.

The Panasonic S5 Mark II has a high-resolution feature that stitches together a 96-megapixel image for tripod shots.

Panasonic sent us about 10 lenses, maybe more, so they sent us a lot.

This is the Canon 24-70mm f/2.8L EF lens, a DSLR lens, and you'll notice right at the back here is an adapter. This is the Sigma L Mount to Canon EF adapter.

The Panasonic lens system is not quite as compact as, say, Sony's.

We've all been waiting for phase-detect autofocus.

This matched set of times when this autofocus tracking seems perfect.

The autofocus is pretty good; it's actually really good. It's not super fast; it's not Sony A1 fast or Canon R5 fast.

It is weather-sealed, lightweight, and compact.

We have now moved to a full HDMI port.

The only modes where you'll find any recording limits are the 5.9K30 and the 6K30.